《家的形狀—到來與相遇的故事》
參與式藝術成果展
The Shape of Home : Stories of Arrival and Encounter
Participatory Art Exhibition
2024.07.20（六）- 2024.08.25（日）
「家的形狀—到來與相遇的故事」旨在透過公共藝術計畫的發展，深化與拓展對於「家」概念的理解。
從個體的內在出發，擴展至家庭成員、社區關係，再進一步觸及鄰里與環境，乃至城市系統的連結，試圖揭示「家」作為情感、記憶、身份與文化集合體的多維面貌。
「家的形狀」計畫由五個部分組成。基地脈絡分析、參與式藝術活動、永久性藝術作品、教育推廣與參與式視覺整合。從不同的面向，組織學者專家、藝術家、里民、居民...等，透過藝術方法作為媒介，共構出「家」連結文化、歷史、社會與環境的多重視角，並重新審視「家」與「藝術」的意義。
"The Shape of Home—Stories of Arrival and Encounter" aims to deepen and expand the understanding of the concept of "home" through the development of a public art project.
Starting from the individual's inner self, it extends to family members, community relationships, and further touches on connections with the neighborhood and environment, as well as the urban system. The project seeks to reveal the multi-dimensional aspects of "home" as a collection of emotions, memories, identity, and culture.
The "Shape of Home" project consists of five parts: contextual analysis of the base, participatory art activities, permanent art installations, educational outreach, and participatory visual integration. From different perspectives, the project organizes scholars, experts, artists, community members, and residents to co-create multiple viewpoints of "home" that connect culture, history, society, and the environment through artistic methods as a medium, and to re-examine the meanings of "home" and "art."
基地脈絡｜田野調查與地方故事的發掘
Contextual Research: Field Investigation and Local Stories
本計畫中的兩個基地，斯文首善社區（原斯文里三期整宅）與華榮社會住宅（昔華榮市場），都帶有豐富的歷史紋理，也在台北市裡面具有特殊質感的場所。斯文里的過去包括了市場、屠宰業和豐富的移民社群，華榮市場周邊則是福德洋圳和外雙溪所交織的繁榮市街。然而在時代的更迭之下，新興的建案先後樹立，在節比鄰次的高樓中，過去獨有的紋理氛圍受到切割。
斯文里三期整宅與週邊之斯文里一、二期整宅及蘭州國宅，是1964 年至 1975 年間辦理地區公共建設，興闢公共設施時，為安置地上違建及部分合法建築物拆遷戶所興建之住宅。加上日治時期即有屠宰場、垃圾焚化廠等鄰避設施設置於此地區，住戶相對經濟條件弱勢，1960 年代湧入大量來自雲林、彰化、嘉義的城鄉移民，鄰近頗具規模的蘭州市場，這些原住戶的組成，是一個典型臺北底層的社會結構，在這樣的社會結構中，充滿許多故事性，也常是藝術發展的起點。
位於士林區的華榮市場，是各式美食匯聚的區域。被判定為海砂屋的原市場建築物，機能有傳統零售市場、全聯超級市場，還有一個社區型的圖書館，滿足鄰近居民買菜、添購日常用品、休憩及借閱圖書的需求，是一個與民眾有高度互動的複合型公共空間。基地鄰近在地經營60 年的華聲廣播公司與社區型華聲公園，且福佳里里民多樂於參與地方事務，也重視地方文史，與在地的連結性高，對於公共空間連結文史的需求度也更高。
The two bases of this project, the Siwen Shoushan Community (formerly Siwenli Phase III housing) and the Huarong Social Housing (formerly Huarong Market) area, have rich historical textures. Siwenli's history includes markets, slaughterhouses, and a diverse immigrant community, while the area around Huarong Market is intertwined with Fude Yangqu and Waishuang Creek, forming a bustling street market. These complex spatial contexts and resident compositions are typical of Taipei's grassroots social structure, full of stories and often the starting point for artistic development.The project deeply explores the history, geography, culture, and natural environment of these areas, investigating the elements that shape the local identity and residents' lifestyles. This not only provides rich creative materials for art participation but also offers the public an opportunity to deeply understand the stories behind their living spaces.
斯文首善社區周邊展區資訊
主展區
A1 蘭斯小聚場 09:00-18:00（17:30最後入場）
A2 藝術參與工作站 09:00-18:00（17:30最後入場）
延伸展區
B1 JOMO Coffee Roaster 大龍店 09:30-18:30
B2 斯文里辦公處 10:00-17:00（週一休館）
B3 蕼蒔荳留 10:00-18:00（週三休館）
B4 臺北市立圖書館蘭州民眾閱覽室 週二至週六08:30-21:00，週日、週一09:00-17:00，08.01休館
B5 現流冊店 hiān-lâu tsheh-tiàm 12:00-21:00，週一休館
華榮社會住宅周邊展區資訊
主展區
A3 國立臺灣科學教育館 09:00-18:00
延伸展區
B6 MoreCafe 摸咖啡 13:30-18:00，週日休館
B7 宣藝術 11:00-18:00，週日、週一休館
策展人 陳宣誠 Eric Chen
國立臺南藝術大學藝術博士，現為中原大學建築系專任副教授、共感地景創作｜ArchiBlur Lab與全鑄所｜Co-Making Place主持建築師，曾任馬來西亞UCSI建築規劃學院客座教授。長期探索在身體與地景間發展另一種重新定義建築的尺度，企圖⽤最真實的身體感，反覆的去體會事物最根本的價值，重新審視人為構築的角色，對於自然生態，如何不是破壞性且只考量人類使用的單一性，而是積極的理解與修補環境；透過構築，探索與回應生命的共存與演替，生命的樣態，都在這過程中，累積成不同的知識，是一種對自己、對生命，也是這塊土地的修補行動，也讓建築成為⼀種關於⼈與非人的環境。
Eric Chen, Ph.D. in Art from Tainan National University of the Arts, currently an Associate Professor in the Department of Architecture at Chung Yuan Christian University, and the principal architect at ArchiBlur Lab and Co-Making Place. He has also served as a visiting professor at the School of Architecture and Built Environment at UCSI University in Malaysia. He has long explored developing a redefined scale of architecture between the body and the landscape, aiming to use the most genuine bodily sensations to repeatedly experience the fundamental values of things. This approach reexamines the role of human constructions and considers how to interact with natural ecosystems without being destructive or solely focused on human use. Instead, it actively seeks to understand and repair the environment. Through construction, he explores and responds to the coexistence and succession of life. The various forms of life accumulate different knowledge through this process, serving as an act of restoration for oneself, for life, and for the land. This approach also makes architecture a matter of the environment for both humans and non-humans.
參展藝術家
張靖驩 Ching-Huan CHANG
《斯文的人 The Gentle People of Siwen》
《斯文的人》是透過與斯文里相關聯的人所共同創作的攝影小說，透過每個人的生活的一面，建構從小到大的不同年齡，串聯大家在斯文里的生活。 是一群很斯文的人們住在斯文里的故事。
The Gentle People of Siwen is a photographic novel collaboratively created by individuals associated with Siwen village. It constructs a narrative of different ages, from childhood to adulthood, through glimpses into the lives of each person, connecting everyone's life in Siwen village. It is a story about a group of very gentle people living in Siwen village.
張嘉容 Chia-Jung CHANG
《翩翩 Flutter》
《翩翩》聚焦斯文里與高齡社會中深具挑戰的照顧議題，如何透過藝術參與的演出引發關注。《翩翩》運用了「水面劇」理論，透過工作坊讓參與者表演自己的來歷和願景、對家的認識、矛盾與期盼，創造連結與多元觀點。這些故事發展成藝術文本，融合戲劇、舞蹈、儀式、論壇和觀眾參與等多元形式，打造讓觀眾不僅是旁觀者，更是表演者的高度參與舞台。《翩翩》在演後成為全台灣由醫院推行的第一個戲劇療癒&戲劇處方箋。
"Flutter" focuses on the challenging issue of caregiving within a cultured society and an aging population, exploring how artistic performances can raise awareness. Utilizing the "Aqua Round Assembly Drama" theory, "Flutter" conducts workshops where participants perform their backgrounds and aspirations, their understanding of home, their conflicts, and hopes, creating connections and diverse perspectives. These stories develop into artistic texts that blend multiple forms, including drama, dance, rituals, forums, and audience participation, crafting a highly engaging stage where the audience members are not just spectators but also performers. After the performances, "Flutter" becomes the first drama therapy and drama prescription program promoted by hospitals across Taiwan.
許家禎 Jia-Jhen SYU
《在斯文里 Living in Siwen Village》
《在斯文里》繪本展示計畫為參與式藝術系列計畫中，視覺藝術領域的創作成果。透過駐地採集、行為互動以及敘事寫作，以繪本作為載體並透過親和的圖文表現，揉合兩位藝術家對斯文里的觀看視角，留下屬於社區最真切的故事。
The "Living in Siwen Village" Picture Book Exhibition Project is the creative result in the field of visual arts within the participatory art series. Through on-site collection, interactive behaviors, and narrative writing, the picture book serves as a medium that, through approachable illustrations and text, blends the perspectives of two artists on Siwen Village, capturing the most authentic stories of the community.
鄒享想 Hsiang-Hsiang TSOU
《在斯文里 Living in Siwen Village》
《在斯文里》繪本展示計畫為參與式藝術系列計畫中，視覺藝術領域的創作成果。透過駐地採集、行為互動以及敘事寫作，以繪本作為載體並透過親和的圖文表現，揉合兩位藝術家對斯文里的觀看視角，留下屬於社區最真切的故事。
The "Living in Siwen Village" Picture Book Exhibition Project is the creative result in the field of visual arts within the participatory art series. Through on-site collection, interactive behaviors, and narrative writing, the picture book serves as a medium that, through approachable illustrations and text, blends the perspectives of two artists on Siwen Village, capturing the most authentic stories of the community.
蔡宛璇 Wan-Hsuan TSAI
《S.F.A.R. 斯福外星電台 SIFU Alien Radio》
廣播還沒有真正被發明：我們有的只是新聞，脫口秀和音樂。
聲音空間——一種聲音在其中相互作用、從背景中出現並消失的聽覺環境。
聲音媒體——聆聽其他地方錄製的一些聲音，並與此處當下的聲音空間混合。
聽眾——位於他所處世界的感知中心，同步組裝那些被紀錄或留存的聲音片段。
來自耳朵星系的外星特派員，經過探索和蒐集建構出一個游牧式的、網路的地方 廣播電台，在空中傳送舊士林（福佳里周邊）和豬屠口（斯文里周邊）的場景和故事。透過《S.F.A.R. 斯福外星電台》所挖掘的聽覺素材、聲音場域，邀請「耳朵使用者」們，進入一個「隨機鬆散，卻具某種黏稠度」的地方想像過程。
Radio has not truly been invented yet: what we have now are only news, talk shows and music.
A sonic space - an aural environment, where sounds interact with each other, emerge from background and dissolve.
Sonic media - listening some sounds recorded elsewhere blending with the sonic space, here.
The listener - perceptual center of the world, assembling in synchronicity the fragments of fixed sounds.
Alien correspondents from the Galaxy Oreille, while exploring and collecting, have built a nomadic, internet-based local radio station, transmitting scenes and stories from Old Shilin (around Fu Jia Li) and Zhutu Kou (around Si Wen Li). Through field recordings realized by S.F.A.R. (Si Fu Alien Radio), Ear Users are welcome to enter a stochastic process of auditory imagination.
澎葉生 Yannick Dauby
《S.F.A.R. 斯福外星電台 SIFU Alien Radio》
廣播還沒有真正被發明：我們有的只是新聞，脫口秀和音樂。
聲音空間——一種聲音在其中相互作用、從背景中出現並消失的聽覺環境。
聲音媒體——聆聽其他地方錄製的一些聲音，並與此處當下的聲音空間混合。
聽眾——位於他所處世界的感知中心，同步組裝那些被紀錄或留存的聲音片段。
來自耳朵星系的外星特派員，經過探索和蒐集建構出一個游牧式的、網路的地方 廣播電台，在空中傳送舊士林（福佳里周邊）和豬屠口（斯文里周邊）的場景和故事。透過《S.F.A.R. 斯福外星電台》所挖掘的聽覺素材、聲音場域，邀請「耳朵使用者」們，進入一個「隨機鬆散，卻具某種黏稠度」的地方想像過程。
Radio has not truly been invented yet: what we have now are only news, talk shows and music.
A sonic space - an aural environment, where sounds interact with each other, emerge from background and dissolve.
Sonic media - listening some sounds recorded elsewhere blending with the sonic space, here.
The listener - perceptual center of the world, assembling in synchronicity the fragments of fixed sounds.
Alien correspondents from the Galaxy Oreille, while exploring and collecting, have built a nomadic, internet-based local radio station, transmitting scenes and stories from Old Shilin (around Fu Jia Li) and Zhutu Kou (around Si Wen Li). Through field recordings realized by S.F.A.R. (Si Fu Alien Radio), Ear Users are welcome to enter a stochastic process of auditory imagination.
林暐翔 Wei-Siang LIN
《植廣Ｘ植播Ｘ植傳 Plant Promotion X Plant Sowing X Plant Heritage - Ecological Education Program》
在社區中，常常可以看見許多小花園般的角落，可能是陽台、門口的盆栽，或是掛在牆上的植物容器。這些生意盎然地在家的四周扎根的植物，體現了「家」延伸的生命力。 從植物特性的認識出發，邀請斯文里基地的原住戶們與新住戶認識自己與植物的生活場域，一同觀察與紀錄基地周遭的環境關係。透過參與和紀錄公園內活動行為、住民生活與植物物種互動行為的演變關係、生態地圖的建置，理解如何透過人為的介入，建構非破壞性的共存關係，透過植物，探討組成「家」的生命樣態。
In the community, you can often see many garden-like corners, which may be balcony plants, potted plants at the entrance, or plants in containers hanging on the walls. These plants, thriving around the home, embody the vitality of the home's extension. Starting from understanding the characteristics of plants, we invite the original residents and new residents of the Siwenli base to learn about their living environment with plants. Together, they will observe and record the environmental relationships around the base. By participating in and documenting activities in the park, the evolving interactions between residents' lives and plant species, and building an ecological map, we aim to understand how to construct a non-destructive coexistence relationship through human intervention. Through plants, we explore the various life forms that make up a "home."
王文心 Wen-Shin WANG
《我們與環境的故事 Our story with the environment》
福德洋圳還在嗎?如果還在，怎麼察覺? 他的軌跡是什麼?我們從踏查出發,藉由與跨領域的專家們與居民，一起探索，藉由感受身體走過的路上，消除了靜態且單向的觀點，強調時間性與感知的體現，來尋找與知識與答案。也藉由期中的 藝術參與工作坊,讓民眾不同形式理解、感受生活環境中的植物與土壤,建構自身與環境的複層連接。
Is the watershed of Fudeyang Canal still there? If it is, how do we detect its presence? What is its trajectory? and how does it relate to us? We start from field investigations,exploring together with interdisciplinary experts, and residents. By physically experiencing the paths we tread, we aim to eliminate static and singular viewpoints, emphasizing the embodiment of temporality and perception to seek knowledge and answers. Through mid-term art workshops, the public can engage with plants and earth in various forms, fostering amultifaceted connection with our living environment.
蘇弘 Hung SU
《建築與居住的故事 The Story between Architecture and Living》
家園，是生活留下的痕跡，故事不斷的發生在人與環境的互動之中。試著觀看、紀錄並採集這些每天不斷湧現，又瞬間消失的故事所留下的迷人痕跡。
I.複寫社區: 質感採集，感受環境令人驚奇的自主性。
II.住的風景: 複印式拍照，紀錄「住」的層層面貌與風景。
透過最簡單的觀看與觸碰來探索生活環境中的各式痕跡，讓這些主觀經驗形成具體客觀的紀錄與採集成果，同時成為我們與生活環境共同的創作。
Home is the trace left by life, where stories continually unfold through the interaction between people and the environment. We try to observe, record, and collect the fascinating traces left by these ever-emerging and swiftly disappearing stories.
I. Community Duplication: Texture collection, sensing the surprising autonomy of the environment.
II. Residential Landscapes: Photocopy-style photography, documenting the multiple aspects and landscapes of "living."
By exploring the various traces in the living environment through the simplest acts of watching and touching, these subjective experiences transform into concrete, objective records and collected results, simultaneously becoming a joint creation between us and our living environment.
共感地景創作 ArchiBlur Lab
《植物的家 The Home of Plants》
結合建築師（構築的形態、輕量化與模組化）、植物生態專家（植種的選擇配置、環境研究）、陶土藝術家（植物容器與構築單元的製作）、影像藝術家（紀錄作品的製作與住民與環境間產生的改變），和新舊住民與地方的組織團體，從認識自己與周遭環境出發，培養熟悉感與認同感，學習知識與技能，更進一步共創作品，透過設置於生活中（如陽台、房間、廁所...等）的構築發展與組裝，建立重新連結關係的過程。
Combining architects (structural forms, lightweight and modular design), plant ecology experts (selection and arrangement of plant species, environmental research), clay artists (creation of plant containers and structural units), video artists (documenting the creation of works and the changes between residents and the environment), and both new and old residents as well as local organizations, we start by understanding ourselves and our surroundings. This fosters familiarity and a sense of identity, enabling the learning of knowledge and skills. Furthermore, we co-create works through the development and assembly of structures placed in daily life (such as balconies, rooms, bathrooms, etc.), establishing a process of re-establishing connections.
展覽總籌｜邵翊庭
展覽執行｜朱品諺、張寧、陳宣
行政統籌｜詹竺螢、詹蕙僑
展場設計｜共感地景創作、全鑄所
展場製作｜昊晟精密工藝
視覺設計｜可比樂比 Cuber Lab
指導單位｜臺北市政府都市發展局、臺北市都市更新處
執行單位｜家的形狀計畫團隊、共感地景創作
協辦單位｜JOMO Coffee Roaster 大龍店、More Cafe 摸咖啡、宣藝術、現流冊店 hiān-lâu tsheh-tiàm、國立臺灣科學教育館、臺北市大同區公所、臺北市大同區公所斯文里辦公處、臺北市士林區公所福佳里辦公處、臺北市立圖書館蘭州民眾閱覽室、臺北市住宅及都市更新中心、蕼蒔荳留